Created by Ghanaian artist Kwaku Ntow, George Jackson is a portrait of the revolutionary writer, organizer, and political thinker whose words continue to travel far beyond the prison walls where much of his work was written.

The painting was originally published in the Black August 2025 issue of The Bloodline Tribune alongside Chuck King's article Letters to George Jackson, connecting Ntow's portraiture with Bloodline's exploration of Jackson's writing, life, and continuing influence.

George Jackson spent more than a decade imprisoned after entering the California prison system at eighteen years old. During those years, writing became one of his most powerful weapons. His letters examined incarceration, racism, capitalism, revolution, family, political education, and the transformation of a young Black man trying to understand the system surrounding him.

Those writings would eventually become Soledad Brother, carrying his voice outside the prison and into generations he would never live to see.

Ntow's portrait does not present Jackson only through imprisonment or death. Instead, we meet his face. Young. Black. Smiling. Alive.

That distinction matters.

George Jackson asks us to remember the human being alongside the revolutionary symbol and to return to the words that made his name endure.

Created for Bloodline's Black August tradition, this piece represents political education, resistance, Black intellectual thought, and the continuing responsibility to read those who came before us rather than simply remembering their names.

Presented as a high quality reproduction on thick matte paper and finished in a .75 inch matte black wood frame with a protective Acrylite front. Lightweight and ready to hang with hardware included.

The Bloodline Art Gallery
Preserving Black art. Bringing our history home.